
Cutting dialogue like you mean it
When to stay on the speaker and when to cut away, without telegraphing the move.
Read the piecePractical, occasional writing on editing, color and retouching. Notes we would have wanted when we started.

When to stay on the speaker and when to cut away, without telegraphing the move.
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The crushed blacks you love may be hiding noise, and what to check before committing to them.
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The small white points that make a portrait feel alive, and how easy they are to erase.
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